The Ethnomusicology Beyond the Human Symposium asks what recent scholarly critiques of “the human” might bring to the study of music and culture. The two-day event involves students and scholars of actor-network theory, cyborg theory, critical animal studies, sound studies, science and technology studies, ecomusicology, traditional ecological knowledges, and Black feminism. All events are free and open to the public.
April 26-27, 2024
9:30am-5:00pm
IU McCalla
This event is co-sponsored by the College Arts and Humanities Institute, IU Research, Cultural Studies, Folklore & Ethnomusicology, Borns Jewish Studies Program, Musicology, Journal of Folklore Research, African American and African Diaspora Studies, American Studies, and Anthropology.
Schedule
Friday, April 26th
9:30am
Words of Welcome: Julianne Graper and F722 Students
10am-12:00pm
Panel 1: Deterritorializing the Ethnomusicological Landscape
Chair: Jenna Sears
Indigenous Survivance as Distributed Cognition?: The Musical Technics of Reanimation in Jeremy Dutcher’s Wolastoqiyik Lintuwakonawa
Lee Veeraraghavan, Tulane University
Geo-ontologies of Sound: Sonorous Sand, Insidious Violence, and Acoustic Environmentalism in Industrial Japan
Keisuke Yamada, University of Michigan
Accentings, Acoustic Surveillance, and Political Crisis in 2010s Brazil
Leonardo Cardoso, Texas A&M University
Sensory Gameplay, Speculative Autoethnography, and Human-Animal Relations in Digital Games
Kate Galloway, Rensselaer Polytechnic Institute
12:00-2pm Lunch Break
2-3:30pm
Virtual Panel (click to join)
Chair: Julianne Graper
Singing Mice, Human Territories, and Using Sound to Re-think Interspecies Conflict
Rachel Mundy, Rutgers University
Like Mother, Like Daughter: Harmony, Horses and Inheritance at the British Dressage Winter Championships
Jack Harrison, University of Warsaw
‘Seal Boy’ and Indigelogics of TransFormation
Jessica Bissett Perea, University of Washington
3:30-4:30pm Break
4:30-5:30pm
Poetry reading by Maria Hamilton Abegunde
Introduction by chloē Fourte